1960–1990
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/mono-pantalons-curts.jpg?itok=a7Oxtipw)
Short jump suit. Paco Rabanne (1934). Paris. 1966. Plastic, rings of steel and aluminium. Donated by Paco Rabanne, 1979. MTIB 109628
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/mini-vestidet.jpeg?itok=XC_s3RL8)
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/jaqueta-pantalo.jpeg?itok=vz0PZVB7)
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/vestit-tunica.jpeg?itok=0RKO3X8m)
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/abric.jpeg?itok=hNp0FmDF)
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/vestit_moldeable.jpeg?itok=vCYRklw2)
Prêt-à-porter. The body on show
During the 1960s there was a radical sociocultural break, as the young rebelled and challenged the established canons of beauty, and daring new styles made audacity the norm.
There is no longer a unique silhouette. Unisex fashion prevails, with tunics, dresses and trousers, short and long, in bright colours. The 1980s are characterized by exaggerated forms and brilliant textures.
Prêt-à-porter
Series signed by prestigious designers reflecting the new changes in society, aimed at a wider market.