Context
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/llum_peu.jpg?itok=Hdqrhr4T)
Standing lamp, TMC, 1960. Miguel Milá (1931). Donació família Campi Valls, 1994. © Estudio Rafael Vargas
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Armchair. Toledo, 1988. Jorge Pensi (1946). Donació Amat, Muebles para Colectividades SA, 1996
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/aixeta.jpg?itok=4RdosixF)
![](https://www.dissenyhub.barcelona/sites/default/files/styles/exhibition_field_thumb/public/exhibition_field/cadira-garriri.jpg?itok=Sqv9fkVj)
When society accepts objects, they often survive on the market. Some of them win prizes for their quality, while others are recognised for having become symbols of an era or a specific event. Others are popular thanks to their functionality or appearance, and lately many of them have won fans because of their sustainability in favour of more rational consumption