Victor Papanek:The Politics of Design

Victor J. Papanek in Buffalo, NY, April 1959
© Donation from Nicolette Papanek, courtesy Victor J. Papanek Foundation

Victor J. Papanek. We are all handicapped, section from Big Character Poster No. 1: Work Chart for Designers (1973, drafted in 1969). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek »Tetrakaidecahedral«, 1973-1975 (movable playground structure, designed with a student, parents, teachers and children)
© University of Applied Arts Vienna,Victor J. Papanek Foundation

Victor J. Papanek in Buffalo, NY, April 1959
© Donation from Nicolette Papanek, courtesy Victor J. Papanek Foundation

Richard Buckminster Fuller pictured with a tensegrity sphere at Expo 67 in Montreal, Canada (1967). © The Estate of R. Buckminster Fuller; courtesy Science Photo Library, photo: Hans Namuth

Victor J. Papanek, Tetrakaidecahedral movable playground structure (1973-1975). © University of Applied Arts Vienna, Victor J. Papanek Foundation

Victor J. Papanek filming the WNED-TV Channel 17 programme Design Dimensions in Buffalo, NY (1961 – 1963). © University of Applied Arts Vienna, Victor J. Papanek Foundation



With the exhibition “Víctor Papanek: The Polítics of Design”, running from 31 October 2019 to 2 February 2020, the Barcelona Design Museum will present the first large retrospective focussing on the designer, author, and activist Victor J. Papanek (1923–1998). Papanek was one of the twentieth century’s most influential pioneers of a socially and ecologically oriented approach to design beginning in the 1960s. His key work, »Design for the Real World« (1971), remains the most widely read book about design ever published. In it, Papanek makes a plea for inclusion, social justice, and sustainability – themes of greater relevance for today’s design than ever before. The exhibition includes high-value exhibits such as drawings, objects, films, manuscripts, and prints, some of which have never before been presented. These are complimented by works of Papanek’s contemporaries from the 1960s to 1980s, including George Nelson, Richard Buckminster Fuller, Marshall McLuhan, or the radical design initiative »Global Tools«. Contemporary works from the areas of critical and social design provide insight into Papanek’s lasting impact including Catherine Sarah Young, Forensic Architecture, Jim Chuchu, Tomás Saraceno, Gabriel Ann Maher, or the Brazilian collective Flui Coletivo e Questto I Nó